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The Personality Of Miloslav Kabelac And His Sonatina For Oboe And Piano
Trnčíková, Barbora ; SEQUARDTOVÁ, Liběna (advisor) ; MIHULE, Jiří (referee)
This thesis follows the life of the Czech composer of the twentieth century, Miloslav Kabeláč, with special focus on his Sonatina for Oboe and Piano op. 24. The aim is to shed light on the grim fate of a signifiant Czech symphonist, whose music was silenced during both the World War II and the communist era in Czechoslovakia. An analysis of Sonatina for Oboe and Piano has been performed and included in order to increase the general awareness of this piece and to help other interprets better understand it and study it more thoroughly.
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ORIGINAL COMPOSITIONS FOR OBOE AND GUITAR WITH A FOCUS ON PIECES BY NAPOLÉON COSTE
Klárová, Magdaléna ; SEQUARDTOVÁ, Liběna (advisor) ; BROŽKOVÁ, Jana (referee)
Abstract
Bachelor theses is focused on compositions originaly written for oboe and guitar in
period from the middle of 19th century to the 10s of 21st century. The research introduces life
and work of eight composers. There are Napoleon Coste, Ferdinand Rebay, Karl Pilss, Barna
Kováts, Bruno Bartolozzi, Tom Eastwood, Toru Takemitsu and Peter Dayton in the selection.
The bachelor theses looks for what motivates composers to compose for oboe and guitar.
There is imporatant question of dedication to concrete oboe player or guitar player, which
bachelor theses tries to answer.
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Oboe works of Czech composers in the 18th century
Vávrová, Jarmila ; BROŽKOVÁ, Jana (advisor) ; SEQUARDTOVÁ, Liběna (referee)
This work deals with the oboe works of Czech composers of the 18th century. Its aim is to bring the composer and their works into wider awareness, for many have already been forgotten. I focused on oboe concerts, sonatas, quartets and marginal chamber compositions written for oboe or related instruments. For this I have used all available means: literature, the internet, recordings and sheet music materials. The work also includes an analysis of Fiala’s E♭ major Concerto for English horn and Orchestra, which inspired me to write this work. It is not possible to circumvent without shortly outlining the time and the political situation, since its influence on the musicians at that time was often very significant. It also addresses the question of their frequent emigration abroad and why Czech composers have contributed to the development of the early European classicism. I set out to aim not only to create an overview of the oboe creation of these authors, but also to provide brief biographies showing their personalities. By studying the materials, I have gradually come to realize that many works are really valuable and, in my opinion, wrongly neglected.
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Isang Yun and his works for oboe
Moťková, Kamila ; BROŽKOVÁ, Jana (advisor) ; SEQUARDTOVÁ, Liběna (referee)
Isang Yun and his works for oboe is a title of this master thesis. It introduces a personality of a Korean composer Isang Yun and it focuses on his works for oboe. The first chapter contains resumé of principal moments of the composer´s life. The next chapter briefly touches characteristics of traditional Korean music, how the western culture is displayed in the Korean music, what is its influence on the Korean music and their inosculation into each other. The following chapter has an aim to introduce the biggest inspirational element in Yun´s life - the philospophy of Taoism. The fourth chapter describes a compositional style of Isang Yun in which elements of both different cultures combine in a unique way. In this chapter one fractional subchapter is also introduced where an insight into a few compositional techniques of the composer and an approach of audience to Yun´s music can be found. Final chapter contains analysis of eight compositions, which Isang Yun wrote for oboe Piri, Doppelkonzert for oboe and harp, Inventionen, Rondell, Images, Quartett for oboe and strings, Bläserquintett and Bläseroktett.
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Problematic of oboe teaching to beginners at an Art School
Reiserová, Štěpánka ; MIHULE, Jiří (advisor) ; VÁLEK, Jiří (referee)
Following Diploma Thesis is focused on problematic of oboe teaching to beginners at an Art School. My objective was to summarize the issues as well as a help when solving out the problems whilst teaching. This Thesis might as well be used as a teaching methodology for an incipient teacher. The main source of information was my own experience as well as the experience of other pedagogues from the educational practice.
In the individual chapters there I concentrated on selection of a pupil, suitable age for playing, prerequisites, a correct breathing technique and breathing exercises, the embouchure, a reed for the beginners, an issues of the instruments and their rent or purchase all of which is followed by difficulties occurring with gradual technique of advanced level and a switchover from an automatic system of the instrument to a semi-automatic one. I also mention here instrumental schools, etudes or performances which are available in our country and are also suitable for education. I have also included a chapter about home practicing, means of expression, stage fright, motivation, playing by heart and playing in an orchestra or in a chamber ensemble, or even about competitions. Part of my Thesis is also a questionnaire, which had been answered by teachers of an Art School, and which I made conclusions of.
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Antal Doráti and his Composittion for Oboe
Trojanová, Iveta ; MIHULE, Jiří (advisor) ; BROŽKOVÁ, Jana (referee)
The thesis "Antal Doráti and his compositions for oboe" is about personality Doráti Antal, who was a great conductor, composer, theoretician. Contains closer acquaintance with his compositons with his conducting career, inspirations and analysis Duo concertante. It could become a practical guide for all who are interested in Hungarian music, hear a compositions from the composer or just want to expand their knowledge of composers. I think this may work for some choice of repertoire from Antal Doráti.
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Isang Yun and his Works for Oboe
Kozáková, Kamila ; BROŽKOVÁ, Jana (advisor) ; MIHULE, Jiří (referee)
Isang Yun and his works for oboe is a title of this master thesis. It introduces a personality of a Korean composer Isang Yun and it focuses on his works for oboe. The first chapter contains resumé of principal moments of the composer´s life. The next chapter briefly touches characteristics of a traditional Korean music, how the western culture is displayed in the Korean music, what is her influence on the Korean music and their inosculation into each other. The following chapter describes a compositional style of Isang Yun in which elements of both different cultures combine in a unique way. Yun´s work is devided here into five stylistic periods and in this chapter one fractional subchapter is also introduced where an insight into a few compositional techniques of the composer, can be found. Final chapter contains analysis of five compositions, which Isang Yun wrote for oboe "Piri, Doppelkonzert for oboe and harp, Rondell, Quartett for oboe and strings and Bläserquintett.
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